Tag Archives: 3D VR

Etruscanning 3D at Palazzo delle Esposizioni in Rome

4 Aug

Objects from the Regolini Galassi tomb

Objects from the Regolini Galassi tomb on display

The Regolini Galassi tomb application was shown in Rome from the 15th of April till the 20th of July 2014 in the context of the exhibition Les Etrusques et la Méditerranée. La cité de Cerveteri/Gli Etruschi e il Mediterraneo. La città di Cerveteri, together with more than 450 masterpieces of the Etruscan culture.

Etruscanning system

The Etruscanning system at the exhibition in PalaExpo (photo: Eva Pietroni)

This exhibition showed several precious objects belonging to the Regolini-Galassi grave goods, together with the Sarcophagus of the Spouses (from the Louvre), the sculpted group of Greppe S. Angelo, terracotta objects from the museums of Berlin, Copenhagen and the Vatican Museum, finds from the Pyrgi sanctuary and some of the most recent discoveries carried out in the urban area of Cerveteri, in the necropolis and in the surrounding territories.  The exhibition showed the relationships that Etruscans had in the Mediterranean area through the history of Cerveteri, one of their most important cities. This exhibition was curated by F. Galulier, L. Haumesser, P. Santoro, V. Bellelli, A. Russo Tagliente and R. Cosentino.

Etruscanning system in action

The Etruscanning system in action (photo: Eva Pietroni)

The exhibition has been jointly organized by Louvre Lens and Palaexpo, thanks to the collaboration between the Département des antiquités grecques, étrusques et romaines of the Louvre, the Istituto di studi sulle civiltà italiche e del Mediterraneo antico of the CNR and the Soprintendenza per i beni archeologici dell’Etruria meridionale.  It had already been hosted in the Louvre Lens from the 5th December 2013 till the 10th of March 2014.

child using the Etruscanning system

A child using the Etruscanning system (photo: Eva Pietroni)

2013 in review

5 Jan

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 16,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 6 sold-out performances for that many people to see it.

Click here to see the complete report.

Etruscanning 3D wins the Italian Heritage Award 2013

12 Nov

On October 4, 2013, the VR visualisation of the Regolini-Galassi tomb, as part of the Etruscanning 3D project, was awarded the Italian Heritage Award for Communication and Dissemination of Cultural Heritage.  The award was given to Eva Pietroni of CNR-ITABC, who was coordinating the technical part of the project.

Eva Pietroni

Eva Pietroni (CNR-ITABC) receives the Italian Heritage Award for the Etruscanning 3D project (photo: Bartolomeo Trabassi, CNR-ITABC)

The Etruscanning 3D  team is very honoured to receive this prestigious award and wants to thank all involved partners and people that made this possible.

Etruscanning team

From left to right: Maurizio Sannibale (Vatican Museums), arch. Paolo Salonia (director CNR-ITABC), Augusto Palombini and Eva Pietroni (CNR-ITABC), Iefke Van Kampen (Museo dell’Agro Veientano), photo: Bartolomeo Trabassi, CNR-ITABC

In the meantime, Etruscanning is preparing for its last stop in its world tour as part of the Italia del Futuro tour, it will go to Budapest.

Yesterday the exhibition The Etruscans – Una Storia Particolare closed after a very successful prolongation and 88.005 visitors!  The Etruscanning setup performed flawlessly. Thanks to the team of the Tongeren museum!  The virtual Regolini-Galassi tomb can be seen permanently in the Etruscan division of the Vatican Museums.

Monte Michele

Monte Michele Tomb no. 5 application at the Digital Heritage Expo (photo: Daniel Pletinckx)

In the last week of October 2013, the Monte Michele Tomb application was demonstrated at the Digital Heritage Expo in Marseille.  More than 5000 visitors were exploring the latest developments in digital heritage, including the attendees of the Digital Heritage 2013 conference. The application itself will be installed soon in the Villa Giulia museum in Rome. You can find a preview of the application here.

This blog is part of the Etruscanning 3D project, that is being partially funded with support from the European Commission. This blog reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

 

Etruscanning in Tokyo

22 May

The Etruscanning application showing the reconstructed Regolini-Galassi tomb is part of a technological exhibition Italia del futuro, that is travelling around the world.  The exhibition is organised and promoted by the Italian Ministry of Foreign Affairs. Recently, the exhibition was shown in Tokyo, in the Istituto Italiano di Cultura from April 17 to May 17, 2013.

Italia_del_futuro

The traveling technology exhibition Italia del futuro in the Istituto Italiana di Cultura in Tokyo

The Etruscanning application is a contribution of CNR to this exhibition, as example of virtual heritage.

Etruscanning_at_Italia_del_futuro

Etruscanning installation (left) at the exhibition Italia del futuro

The president of CNR, Doct. Luigi Nicolais, was present at the opening of the exhibition (second person from the left in the image below).

opening_Italia_del_futuro

Opening of the exhibition Italia del futuro

The next stop of this exhibition will be in San Franscico, USA, from July 12 to August 23, 2013.

This blog is part of the Etruscanning 3D project, that is being partially funded with support from the European Commission. This blog reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

 

Etruscanning 3D installed in the Vatican Museums

7 Apr

On April 4, 2013, the latest version of the Etruscanning 3D application was inaugurated in the Museo Gregoriano Etrusco in the Vatican Museums.  The installation consists of a non-interactive film that is displayed in Room 2 where the Regolini-Galasssi objects are displayed, and an interactive 3D application with a natural interaction interface in Room 16. On multiple screens within the Vatican Museums, an introduction film to the application was shown.

Vatican museums entrance

Part of the Etruscanning team at the entrance of the Vatican Museums in front of the Etruscanning promo film (from left to right: Wim Hupperetz, René van Beek, Daniel Pletinckx, Christie Ray, Judith Vos, photo: Veerle Delange)

Press conference room

Many people attended the project presentation at the press conference room of the Vatican (photo: Daniel Pletinckx)

The inauguration of the installation was proceeded by presentations by the involved project partners, introduced by Antonio Paolucci, director of the Vatican Museums.  Maurizio Sannibale, curator of the Gregorian Etruscan Museum, provided an introduction to the Regolini-Galassi tomb, and Wim Hupperetz, director of the Allard Pierson Museum and Etruscanning project coordinator, presented the project and the resulting publication.

Presentations

Presentations were given by Antonio Paolucci (middle), Wim Hupperetz (left) and Maurizio Sannibale (right) (photo: Sofia Pescarin)

Salvatore Garraffo, director of CNR-ITABC, introduced the technology used in the project, while Eva Pietroni (CNR-ITABC) and Daniel Pletinckx (Visual Dimension bvba) explained the natural interaction interface, the digitisation of the museum objects and their digital restoration.  Rita Cosentino (Soprintendenza all’Etruria Meridionale) and Vincenzo Bellelli (CNR-ISMA) provided a wider context for the Regolini-Galassi tomb and its objects.

Introduction film

Introduction film to the virtual reconstruction of the Regolini-Galassi tomb in its museum room (photo: Daniel Pletinckx)

After the presentations, the installation was inaugurated.  In Room 2, where all objects of the Regolini-Galassi tomb are on display, a large screen shows the virtual reconstruction of the tomb with the digitally restored objects integrated in the tomb.  In this way, the objects are shown in their original context in their original state, providing the visitors with an even better appreciation and understanding of the objects.  The film invites the visitors also to use the interactive application, which is located in nearby room (room 16), due to the lack of sufficient space in the Regolini-Galassi room.

Natural interaction interface

Interactive Etruscanning application using a natural interaction interface (photo: Daniel Pletinckx)

In the interactive application, the visitor navigates through the tomb and selects objects and their related stories through simple, natural gestures (such as right arm forward for moving forward) detected by a Kinect camera. When starting, the visitor can select a language (Italian, English, Dutch) and can practice the navigation and object selection when approaching the virtual tomb.  Once inside, the visitor can explore the entrance, antechamber, cella, left and right niche of the tomb with all its objects in place, select specific objects and listen to the stories connected to the objects.  This video shows how it works in English or Italian.

Many newspapers, magazines and news websites covered this inauguration. To name a few: La Repubblica, Il Messagero, Radio Vaticana, Gizmondo, Buone Notizie, Reset Italia, Good News, ArcheoMatica, …

This blog is part of the Etruscanning 3D project, that is being partially funded with support from the European Commission. This blog reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

 

Etruscanning3D in Tongeren

18 Mar

On March 15, 2013, the Gallo-Roman museum of Tongeren, Belgium opened a great exhibition on the Etruscans, named Una Storia Particolare. The exhibition shows a excellent selection of Etruscan objects and ends with the Regolini-Galassi tomb.  Many objects on display are on loan from the Allard Pierson Museum in Amsterdam, the National Museum of Antiquities in Leiden and the Vatican Museums.

Regolini-Galassi room

Room dedicated to the Regolini-Galassi tomb (photo: Daniel Pletinckx)

In a separate room, the contour of Regolini-Galassi tomb has been depicted on the floor and some of the objects from the tomb are on display, positioned on the same place as in the original tomb. Key objects which are on display are the six-headed lebes and the bronze holmos.

Regolini-Galassi room

Objects from the Regolini-Galassi tomb (photo: Daniel Pletinckx)

Next to the objects from the Regolini-Galassi, the Etruscanning3D application has been installed, showing the tomb and about 80 digitally restored objects in an interactive way through virtual reality.  This serious games setup is based upon a Kinect camera and uses the version of the software with the hotspots.

Etruscanning3D

The Etruscanning3D application in the Tongeren museum (photo: Daniel Pletinckx)

The exhibition is open until August 25, 2013.  More practical information can be found here.

This blog is part of the Etruscanning 3D project, that is being partially funded with support from the European Commission. This blog reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

 

The holmos and lebes digitally restored

28 Nov

The bronze holmos of the Regolini-Galassi tomb is a very elaborated and beautiful object that has suffered significant damage and corrosion.

bronze holmos

Bronze holmos from the Regolini-Galassi tomb (photo: Vatican Museums)

To reveal the beauty of this object, we have unwrapped its decoration and used this image to create the line drawing of the engraved decoration.  Based upon this engraving and upon detailed study of the applied embossing, we have created a displacement map of the decoration of each of the parts of the holmos.

holmos unwrapped texture

Unwrapped decoration of the holmos cone (image: Visual Dimension bvba)

The displacement map is created in the same way as for the other objects: we simulate the engraving and embossing process in different layers of a Photoshop image, that is overlaid on the unwrapped texture.

Depth map holmos cone

Displacement map of the holmos cone (image: Visual Dimension bvba)

The displacement map is transformed into a normal map in Unity3D, giving a very nice real time rendering of the bronze object.

DROMOS8_new

Digitally restored holmos, placed in the Regolini-Galassi tomb (image: CNR-ITABC)

Digitally restored holmos, placed in the Regolini-Galassi tomb (image: CNR-ITABC)

DROMOS10_new

Digitally restored holmos, placed in the Regolini-Galassi tomb (image: CNR-ITABC)

The 6-headed lebes also suffered deformation and damage, so we performed digital restoration on this object as well.

6-headed lebes

Bronze six-headed lebes from the Regolini-Galassi tomb (photo:Vatican Museums)

In this case, we derived the unwrapped texture from a 3D model that was made from dense stereo matching on a set of photographs taken with an object tent.

3D photography of the lebes

Photography of the lebes in an object tent for creating the 3D model (photo: Vatican Museums)

detail of lebes

Detail of the engraving of the lebes (photo: Vatican Museums)

We first identified the full engraving of the lebes on the unwrapped texture, completing the missing parts.  Then, we painted the embossed features in a similar way as the other objects, through observation of those features on the many photographs taken.

lebes_depth_map_comp

Displacement map superimposed upon the unwrapped texture of the lebes (image: Visual Dimension bvba)

The displacement map was imported in Unity3D and translated into a normal map for real time visualisation (see images below, compare with images above).  All digitally restored objects are integrated in the new version of the application.

digitally restored six-headed lebes

Digitally restored six-headed lebes (image:CNR-ITABC)

Digitally restored six-headed lebes

Digitally restored six-headed lebes (image:CNR-ITABC)

This blog is part of the Etruscanning 3D project, that is being partially funded with support from the European Commission. This blog reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

 

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